convinces Hannah to raffle it off. by Stephen Sondheim, Hugh Wheeler, and Christopher Bond Directed by Jeff Dare CAST Sweeney Todd - Matt Hester Mrs. Lovett - Tania Arazi Coambs Anthony - Jacob Deters Johanna - Tina Radi Toby - Alex Murphy Judge Turpin - Michael Steen Beadle - Aaron Godwin Beggar Woman - Caitlin Richardson Pirelli - Sam Gegg Chorus Braedon Arnett Kari Croop Your email address will not be published. In this article I take a detailed look at the Guitar/Mandolin book for The Spitfire Grill, the much loved 2001 chamber musical by James Valcq and Fred Alley. Below is my list of scores, pit parts, and libretti. The Piano-Conductor score has the following note: WILD BIRD should be sung in strict tempo, with the printed vocal rhythm precisely observed. For much of the book, guitar rhythms are explicitly written out, which is important because the guitar is the rhythmic foundation of the ensemble, in the absence of a percussionist. m.25-26 and m.29-30: the G chords sound slightly dissonant, because the keyboard has an F# root. Her favorite color is purple. Top Ten Tips. check the ASCAP and/or BMI websites to see where the composers are registered. Michael Frazier (Music Director) has been working as a musician in the St. Louis area for the past 25 years. The Spitfire Grill characters breakdowns including full descriptions with standard casting requirements and expert analysis. Most significantly, measure numbers are provided only for the first measure in each line, and at multi-measure rests. 'Cause this girl thinks I'm part of her world. The number actually starts in B major, but is written in A major. The part has to be played as written, and is has a flowing, slightly rubato feel to it. the SPitFire GriLL april 13 - 29, 2012 / musical Music & Book by James Valcq, Lyrics & Book by Fred Alley Based on the Film by Lee David Zlotoff | Directed by Madalyn Stanford Music Direction by Dr. Dennis Janzer A feisty parolee follows her dreams, based on a page from an old travel book, to a small town in Wisconsin Set in a small Wisconsin town, the show features a gorgeous, soulful score and and several strong roles for women. SEQUENCE B SOMETHINGS COOKING (#1-B, #2, #2-A & #2-B) I used a combination of picks and fingerstyle to play this show, varying the picks used to suit the material. Spitfire Grill (15610351164).jpg 2,400 1,600; 974 KB. #6: Percy Leaves The Bread The Spitfire Grill The Crossley Theater; 99 seats; $27 top Production: An Actors Co-op presentation of a musical play in two acts, music by James Valcq, lyrics by Fred Alley, book by Valcq & Alley . Licensing (Concord Theatricals) arpeggios). #22-A: The Scene Continues Year: 2001 (Off-Broadway) In this article I take a detailed look at the Guitar/Mandolin book for The Spitfire Grill, the much loved 2001 chamber musical by James Valcq and Fred Alley. THE SPITFIRE GRILL Cast: x Percy Talbott: Alison Elliott (Wyatt Earp, Living Dolls) x Hannah Ferguson: Ellen Burstyn (Divine Secrets of the Ya-Ya Sisterhood) x Shelby Goddard: Marcia Gay Harden (Mona Lisa Smile, Bad News Bears) x Nahum Goddard: Will Patton (Remember the Titans, The Punisher) x Joe Sperling: Kieran Mulroney (Quigley, Gettysburg) x Sheriff Gary Walsh: Gailard Sartain . All page turns are good. #11: This Wide Woods Part 1 Start fairly lightly at m.41 (the score says [Easy strum]) and build from there. Just dig in and go for it with this number. Its all too easy to start dragging so paying attention to tempo here is very important. Seasonally focused prix-fixe menus and a thoughtfully curated wine selection that best pairs with our seafood centric menu. The "Spitfire Grill" owned by a sour, angry woman (played brilliantly by Ellyn Burstyn) is auctioned off in an unusual way at Percy's behest, setting the stage for both Percy's capitulation and Gilead's redemption. 'The Spitfire Grill' Is a Simple Story Sweetly Told: Musical Review by Mark Bretz Aug 26, 2014 Updated Jul 20, 2022 1 of 4 by Mark Bretz Story: Fresh out of prison, Percy Talbott arrives in the middle of winter in the town of Gilead, Wisconsin in the 1990s, a place she selected based on a photo she saved from a travel book. The songs by Valcq and Alley make up an album that is simply astonishing, due no small part to Valcq's stunning arrangements. Around The Town Chicago- Highly Recommended ".They are now doing "The Spitfire Grill" with a book by James Valcq and Fred Alley and music by Valcq with lyrics by Alley, on Chicago Avenue, in a real-life diner, the Windy City Cafe ( one of those breakfast/ lunch diners that close at 3 p.m.) which is very fitting as the play is about a small diner . With no takers beginners, characterized in traditional marcato style, folk-based make! SONG-BY-SONG DETAILED REVIEW Entry fees are one hundred dollars ers (WCP) production of the musical The Spitfire Grill. I played rolled whole note chords, as shown below. m.5-10: the mandolin plays a sustained tremolo high D through these measures. From the guitarists viewpoint, the important thing about this brief introductory number is that it establishes the tempo for the sequence. Take care not to allow any glissando sound between the chords; the changes should be clean and crisp. The four numbers run seamlessly end to end, so this feels like one number to the audience. Produced by Vintage Theatre Productions (1468 Dayton St., Aurora) through Aug. 16. The number actually starts in G major, but is written in E major. I used thin Dunlop 0.46mm nylon picks for lighter strumming and Herdim yellow 0.63mm picks when I needed a thicker, heavier sound. Notable Credits: The Spitfire Grill, Tartuffe, [title of show]. The music could be magnified slightly so that so that it fills more of the page; page numbers could be added to the blank V.S. pages for completeness, and a full contents list would help. Bernarda Alba. This tool is unavailable at the moment. Music and Book by James Valcq Lyrics and Book by Fred Alley Based on the film by Lee David Zlotoff. All numbers in the book are covered. I examine the book itself (layout, page turns, level of detail) and my . For the delicate slower numbers I mostly used fingerpicking. Use of a pick would have been appropriate in several sections, but the changes between fingerstyle and strumming mostly come too quickly to grab a pick, so I used fingers throughout except for the very loud strummed section in m.178-187. A YouTube playlist can be found here. This is all mandolin and I played it exactly as written. Don't forget, if you like the piece of music you have just learned playing, treat the artist with respect, and go buy the . The show will be performed in an intimate, black box setting in the DeVries Theatre in the Stevens Student Center. Featuring the original Off-Broadway cast: Liz Callaway, Garrett Long, Mary Gordon Murray, Steven Pasquale, Armand Schultz, Stephen Sinclair, and Phyllis Somerville. The Music Director had me play this with more of a rock n roll feel, which basically meant adding accents and ghosting 1/16 notes, as shown below. Pick: Dunlop 0.46mm nylon. - The Spitfire Grill Music and Book by James Valcq Lyrics and Book by Fred Alley Based on the Film by Lee David Zlotoff Directed by Joan Townshend Music Director: Anita O'Conner Performance dates: March 23 - April 21, 2012 Our second musical for the season has a distinctive bluegrass, country music flavor. Postmistress and busybody, a woman with narrow eyes and a sour tongue. This number returns to the strummed rhythm of #16-A: Come Alive Again Part 2. The part also works nicely if you omit the last 1/8 note in each pattern, because it gives you more time to make a clean chord change, and is a little easier to play. Equity/professional customers should contact the Licensing department directly at [emailprotected] to inquire about a title's availability. Written by James Valcq and Fred Alley; directed by Bev Newcomb-Madden; musical direction by Trent Hines. Sinalizar o contedo como inadequado. #9-A: Opening I-6 Music/Book: James Valcq. I played this number as written from m.1 to m.58. A slight backbeat emphasis helps provide a heavy feel staring at m.5. Featuring a dynamite cast of local talent and a well-crafted, memorable score, it is a perfect show for autumn, radiating warmth and light in defiance of days growing cool and dark. Diversity, Equity, and Inclusion. Pretty, if a bit rough-edged, her face declares the strength of her youth and a sadness beyond her years. I added in ghosted 1/8-notes as I felt the need, to spice up the rhythm. The Spitfire Grill is an American musical with music and book by James Valcq and lyrics and book by Fred Alley, based on the 1996 film of the same name by Lee David Zlotoff. February 24, 2022 'Spitfire Grill,' Randolph's latest musical, 'gets right at your heart' The Spitfire Grill is full of the kinds of songs that just stick with youand themes that will hit home. This short underscore piece uses the verse of Colors of Paradise. At m.75, attach a capo at the 3rd fret for #16-A. A reprise of #16-B: Come Alive Again Part 3, this is mostly picked 1/8-note arpeggios. APPOINTMENTS. #16: Come Alive Again Part 1 Its OK to let the notes ring on slightly. You do have time to make the turn, as youre holding a chord over two measures and a fermata, but you need to be ready to make the turn quickly and hit the downbeat of #7 cleanly. A prison bell harshly rings. m.1-12: play as written. Mandolin: m.84-91 and m.138-158. Reviews for The Spitfire Grill in Chicago. I provide an example below. The Spitfire Grill is a tender-hearted, whimsical musical that acknowledges both the great highs and painful lows that make up the human experience. Subplots roil Percy's soothing presence, indicating how many sins need the purging of mercy. Her favorite roles of her acting career include Ado Annie (Oklahoma! This is a fairly quick instrument change. m.48: change back to guitar. #16-B: Come Alive Again Part 3 . Pick: Dunlop 0.46mm nylon. Mandolin: m.2-13, m.105-136. In this final sequence of Act 1, the essay contest to sell the grill takes off, and the townspeople throw their support behind the idea. m.31-44: its important to play the rhythm part crisply enough to express the 1/8-note rests clearly. #2-A: Somethings Cooking Part 2 AUDITION DATE. Its slightly disorientating to play, and its easy to lose the feel of the rhythm. m.65-70: the piece slows down a lot here and these measures are pretty much conducted. m.1-4: low Em and Esus4 voicings. This is the same tune as #20-B: After Shine, but with the mandolin playing the strings part. Use a low Em voicing, playing the main rhythm pattern and letting the chords ring. The vocal is very off-beat and irregular, so its important to resist the temptation to stretch the tempo. Mandolin: m.1-12 (no guitar in this number). The rhythm should be even and steady, rather than driving. I played these precisely as written. Important: + Google Calendar + iCal Export Share via Facebook Share via Twitter. 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